Reality Television Essay - 1638 Words

Reality Television When Philo T. Farnsworth invented the electric television, he probably did not think that it would be used to show people eating bugs, finding husbands based on votes of viewers, or living on deserted islands. But that is exactly what you can see any given night on television now. This newest form of television programming fad is the reality television genre. Reality television is now on every station, every night, everywhere. The web page Fact Monster credits the beginning of reality TV as beginning around 2000 when a little reality game show called Who wants to be a Millionaire hit television screens. Millionaire saw the rebirth of game shows but also started the most popular television genre in years. Some say†¦show more content†¦Not actual reality, because actual reality is boring, and in actual reality people aren’t eating weird stuff or living on desert islands. But these shows are a form of â€Å"reality† suitable to make fairly interesting TV. When thinking about reality TV and its rise to popularity there are two shows that come to mind. The first is the creative Survivor. Survivor is an hour long show that came on in 2000 on Thursday nights at 9:00 PM on CBS and quickly became one of the networks highest rated shows. Hosted by Jeff Provst, the smug, good looking yet rugged host, the gimmick of Survivor is that 20 people are deserted in the wild in two groups that they call â€Å"tribes† and are forced to build shelter, provide food for themselves and then every week participate in a challenge to win immunity. Those who do not win immunity are then open to be voted off by the tribe. The final person to not get voted off receives 1 million dollars and fifteen minutes of fame. Another show that helped cement the reality TV genre is NBC’s Fear Factor, a usually half hour show which shows on any night where a push in the adult 18-49 demographic is needed. Fear Factor is the show that comes to mind when thinking of reality TV and eating. Joe Rogan hosts the show; a muscle bound semi-celebrity who isShow MoreRelatedThe Reality Of Reality Television882 Words   |  4 Pages What is it about these reality shows such as: Keeping Up with the Kardashians, Bad Girls Club, and The Real Housewives that we cannot stop watching? After watching reality shows like this, it leaves people craving the next episode of the next week. Reality television producers are exploiting people by giving the public a â€Å"sense† of reality but not the real version of it, but rather exploit people and use stereotypes to make money for entertainment. The specific points of this argumentRead MoreThe Reality Of Reality Television Essay1697 Words   |  7 PagesRea lity television has taken off over the past few years bringing shows to the airwaves such as the Bachelor and Breaking Amish. One of the more successful reality television shows, which is going off the air after this season, is Duck Dynasty. The show features a cast of redneck white males who have created a fortune making handmade duck calls. Their wives are the typical stay at home moms who cook and clean the house, or as Uncle Si would say, wifely duties. The show is shot in West Monroe, LouisianaRead MoreThe Reality Of Reality Television936 Words   |  4 PagesThe reality show phenomenon Have you ever wondered what attracts millions of Americans each week to watch this cultural phenomenon know as reality television? It first started in 1948 when Allen Funt created a TV series called Candid Camera, this is the first known reality television show series. â€Å"Reality television episodes have increased up to 57% of all television shows that can be found on your TV guides† (Shocking). Big Brother was one of the first successful and most viewed reality televisionRead MoreThe Reality Of Reality Television Essay1985 Words   |  8 PagesWe do not normally question the types of reality television shows we like to watch. This is because over the years, reality television has dramatically increased therefore making it close to impossible to avoid this genre of television. Reality television has grown to be a part of America’s everyday norm and can always be found being talked about on the Internet, social media, magazines, etc. One of the first examples of real ity television was in 1973 when â€Å"An American Family† first aired. The showRead MoreThe Reality Of Reality Television1499 Words   |  6 PagesAgainst Reality TV For close to a decade, the ethics behind the existence of reality TV have been questioned. While there are ardent viewers of reality TV, researchers and other scholars disapprove them, and claim that the world would have been in a better place. Reality TV shows, especially in America, are extremely profitable to media owners, and this has increased their popularity in the recent years. The main target audience for these shows are teenagers and women, who spend a lot of time discussingRead MoreThe Reality Of Reality Television991 Words   |  4 PagesWe see content on television every day either to see the news, watch a movie, series or any program we would like to watch. Television give us a different and visually perfect way of entertainment. Reality television is a genre of television which seems to be unscripted showing actions of â€Å"real life†. The viewer sees the reality shows for entertainment but neither the pressure, competitiveness nor loneliness that lives in imagines. To be real -time and people- admiration from viewers, thinking thatRead MoreThe Reality Of Reality Television927 Words   |  4 PagesBehind the Reality of Reality TV There are many different opinions when the subject of reality television is discussed. Although reality television shows are thought to be negative they really are just mindless entertainment. Many can argue that these shows are misleading and disturbing. On the other side of this, people merely use these shows for entertainment and allow people to forget about stress in their lives. The cause of these different opinions is a result of different age, gender, religionRead MoreThe Reality Of Reality Television1511 Words   |  7 PagesReality TV is defined as television programs in which real people are continuously filmed, designed to be entertaining rather than informative.(Dictionary) As we all know, in today s world we are presented with numerous Reality TV Show such as Keeping up With the Kardashians, Basket wives and The Real Housewives of Miami. These shows give a false message to their viewers of what is reality and what is purely entertainment. Many reality programs create an artificial environment for the show thatRead MoreThe Reality Of Reality Television Essay1973 Words   |  8 PagesIntroduction Reality television has turned into a noteworthy piece of our way of life. The shows are described to be fun, engaging and acquaint society with new points of view. In the wake of a monotonous day at work, it s decent to return home and watch something careless on television, while unwinding. While the debate that violence in the media is making for a brutal culture has been made a million times, sometime recently, I am striving to make an alternate relationship. As we are aware, theRead MoreThe Reality Of Reality Television Essay1287 Words   |  6 PagesReality television is now one of the most consumed television genres broadcasted to the general public. Reality television has become more about mindless watching and creating the most unrealistic environment possible, rather than creating a show for an important purpose. Today, shows like Beauty and the Geek, Big Brother, and every other reality show fit into this mold, but when viewed critically lessons appear. In the case of TV t oday, reality shows depict an altered reality because of the unrealistic

Good Will Hunting Analysis - 1921 Words

Art often represents the challenges overcome by individuals as they search for life meaning. Gus Van Sant’s Good Will Hunting, released on12 March 1998, follows the story of protagonist Will Hunting, played by Matt Damon, who has Attachment Disorder. Abused as a child, he has trouble developing meaningful and appropriate relationships with adults and women. F. Scott Fitzgerald’s â€Å"The Great Gatsby†, published on 10 April 1925, is a story told by the involved narrator Nick Carraway, who was once Jay Gatsbys neighbour. Over the course of a summer on Long Island, Carraway reflects on the incidents of the roaring 20s. Fitzgerald’s famous romantic tale explores, Jay Gatsby, a financially successful man that is motivated by his intense desire†¦show more content†¦An orphan and a genius, who hid his talents, Will grew up in contemporary Boston and befriends a group with no future, resulting in a police record withâ€Å"multiple assaults, theft, imp ersonating an officer† and Will’s arrest. There is no doubt Will is â€Å"wicked smart† with a lot of fear and in the film, Van Sant unravels how he escapes these fears. The fear of never fulfilling their potential dangles over the minds of Jay and Will. Will’s reluctance to embrace the opportunities that the professor offers at MIT is rooted on old psychic wounds. Gatsby, while does not face any bodily traumas like Will, must find a way to recover from the emotional pain resulting from betrayal by a woman he loves. Fitzgerald and Sant both use secondary characters to help protagonists overcome their past. Jay has the support of his neighbour, Nick Carraway a â€Å"tolerant, open minded, quiet and a good listener†, well suited to narrating the story as he tells the reader. As a result of this relationship, Jay and many others find confidence in telling their stories and secrets to Nick. Similarly, Sean McGuire (played by Robin Williams), a characte r with his own traumatic history, mentors Will and shows him a a new perspective on life, revealing to the audience what it is like to experience things instead of read about them, like Will does. This dichotomy is explained in a deeply emotional scene when Sean softly explains;Show MoreRelatedMovie Analysis Good Will Hunting4752 Words   |  20 Pagesï » ¿ Movie Analysis Sociological Perspective: Good Will Hunting SOC103 A Ms. Lim Siow Fei Dier Pulatov J14016731 Aiman Azri Azmi J14016347 Jeffry Tlerey Lister J14016755 Content: 1. Introduction 3 2. Synopsis 3 3. Structural Functionalism 4 4. Social Conflict Read MoreGood Will Hunting Film Analysis808 Words   |  4 PagesVu Nguyen English Composition I Mr. Dylan Travis RELATIONSHIPS IN GOOD WILL HUNTING Good Will Hunting is an interesting story of a young genius orphan growing in a slums of South Boston with a group of best friends, written by Matt Damon and Ben Affleck and directed by Gus Van Sant. In this film, Will Hunting is the main character played by its father Matt Damon who is trying to himself identify his value in the world. He is not a normal teenager, he has a special ability that called the â€Å"photographicRead MoreMovie Analysis : Good Will Hunting 1553 Words   |  7 PagesTrevor Burkhead Professor Nyfeler EN 211 22 February 2017 Analytical Essay on the Movie â€Å"Good Will Hunting† I have watched a considerable number of movies this semester so it was hard to choose which one to analyze. It came down to â€Å"Remember the Titans† or â€Å"Good Will Hunting†. However, the movie that I will be analyzing is â€Å"Good Will Hunting†. The reason I chose this movie is that it can be analyzed in many different ways. I will be analyzing different scenes of the movie and analyze them fromRead MoreFilm Analysis Of Good Will Hunting1528 Words   |  7 Pagesâ€Å"GOOD WILL HUNTING† MOVIE (1997) Will Hunting, a 20-year-old janitor at a college, is a mathematics genius who underage drinks with his friends. In the college where he is the janitor, a professor has written an impossible equation that Will goes and resolves. No one really knows who did it and when the professor finds out who resolved it, Will Hunting runs into more trouble, as he engages in a fight along with his friends and ends up punching a cop, this lands him in court room in front of a judgeRead MoreCharacter Analysis : Good Will Hunting700 Words   |  3 PagesFor this Case Study I chose fictional character Will Hunting from the award winning movie Good Will Hunting. Will Hunting was born in a poor region of south Boston, Massachusetts, an orphan, who lived with a very abusive alcoholic foster dad. As a kid, Will was subdued to frequent physical abuse by his foster dad, between getting beat with a wrench, and having cigarettes put out on him, Will dealt with a lot at a young age (James A. Frieden). Will wasnt dealt the best hand, when it came to a childhoodRead MoreMovie Analysis : Good Will Hunting1952 Words   |  8 Pagesgreat film, Good Will Hunting offers a great basis for which linguistic studies regarding dialect can be done. The film offers a great contrast in characters from â€Å"Southie† to prestigious high-class individuals. While there is a noticeable difference in the dialect used, the focus is primarily on stereotypes between the lower and upper-class individuals. Language and dialects help to reinforce the stereotypes regarding socio-economic classes. The division of dialect in Good Will Hunting reflects theRead MoreEssay about Analysis of Good Will Hunting4243 Words   |  17 PagesAbstract This paper will discuss this students perception, study and analysis of the character Will Hunting, in the movie Good Will Hunting. (Affleck and Damon, 1997) It will share the results and conclusions about the character of Will Hunting reached by this author, citing the methods and theories used to reach said results and conclusions. The report will provide a brief overview of the character, a cultural description of the character, discuss the characters personality development fromRead MoreEssay on Analysis of the Film Good Will Hunting766 Words   |  4 PagesGood Will Hunting The movie Good Will Hunting shows a dramatic relationship between a teacher and student and also relationships between fellow teachers. The film helps you grow with the characters in order to anticipate and acknowledge the ways in which they interact with one another. It also incorporated the way that egos develop and arise due to relationships and how they can interact with the daily lives of people. Read MoreEssay about Good Will Hunting Character Analysis2165 Words   |  9 PagesIntroduction Social- Cognitive theory believes that humans are individuals who are capable of proactively making things happen to assist in their own development (Parajes, 2002). In Good Will Hunting, Will Hunting did not believe that he was able to make a positive change in his life. Will is a prodigy, particularly in mathematics, who did not recognize his gift. He was born and raised in the slums, where he is now comfortable. He was abandoned by his parents and in and out of numerous foster homesRead MoreAnalysis of the Film Good Will Hunting Essay2156 Words   |  9 PagesGood Will Hunting is the graceful tale of a young gentleman’s struggle to find out where he belongs in the world, by first finding out who he himself is. In this film, Matt Damon takes on the role of a disturbed genius that has a keen understanding of the deepness of human character. The film is a voyage through the mind of Will Hunting as he is required to undergo psychotherapy as an alternative to serving jail time . With the assistance of a psychologist, played by Robin Williams, Will learns about

Houses as Motif Kate Chopins the Awakening Free Essays

string(34) " to be tacit and self-understood\." Houses as Motifs in Kate Chopin’s The Awakening Linda Catte Dr. Kathryn Warren ENGL 2329: American Literature March 22, 2012 (KateChopin. org. We will write a custom essay sample on Houses as Motif: Kate Chopins the Awakening or any similar topic only for you Order Now ) (Krantz’s Grand Isle Hotel Picture of painting by Tracy Warhart Plaisance) (Reflechir: Vol. 1. Les images des prairies tremblantes: 1840-1940 by Cheniere Hurricane Centennial Committee) It is not new or unique that an individual is looking for one’s purpose and meaning in life. Nor is it unique that men and women imitate the norms of society. In Kate Chopin’s novella, The Awakening, Edna Pontellier, the antagonist, knocked against the societal norms of the late 1800’s. Houses represent Edna’s search for her inner self. The houses which Chopin uses in The Awakening come in pairs which contrast each other. Chopin uses the bird cage and the bath-house to illustrate imprisonment and freedom. The house on Grand Isle and the small house on the Cheniere Island represent restlessness and awareness. The grand house on Esplanade Street in New Orleans and the small house located just around the corner demonstrate confinement and control in contrast with freedom and independence. Each house brings to light different aspects of Edna’s personality as she searches for her inner soul and finds new awakenings along the way. As various houses are presented by Chopin, each will provide insight into Edna’s search for meaning in her life. In order to better understand Edna’s state of mind as Chopin begins The Awakening, the norms of society needs an explanation. Mr. Leonce Pontellier demonstrates characteristics of a husband who fits the societal norm of 1899 when The Awakening (Chopin) was written. Behaviors by Leonce are displayed in the opening chapter of Chopin’s novella. There are bird cages with a talking parrot and a singing mockingbird, hanging on the porch of the main house at Grand Isle. â€Å"Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. † (Chopin, ch. 1) Leonce had the freedom to walk away from an irritation and find solace elsewhere. â€Å"Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining. † (Chopin, ch. 1) The bird cage represents imprisonment, the birds represents how individuals in society mimic what is repeated over and over. Although every word is not equally understood and interpreted by all, the words still have a meaning. (http://office. microsoft. com/en-us/images) Edna and Leonce were interpreting different meanings from what society expected. Edna had the burden of imprisonment because of the societal norm. Leonce had flexibility and freedom. He was a businessman with a wife and family that was expected to behave in such a manner that would exhibit appearances of a proper marriage and family. An illustration of Leonce’s attitude is revealed in Chapter One of Chopin’s book, a few specific examples are, â€Å"†¦looking at his wife as one looks at a valuable piece of personal property †¦,† â€Å"†¦perhaps he would return for the early dinner and perhaps he would not. and â€Å"If it was not a mother’s place to look after children, whose on earth was it? He himself had his hands full with his brokerage business. † Leonce viewed himself as important, the roles of society were rigid and fixed in his eyes, and certainly to his advantage. (http://office. microsoft. com/en-us/images) Edna did not have the freedom to detach herself as her husband did from unwanted annoyances. Her escape to the bath-house provided as much freedom as Edna could possess at the time. â€Å"†¦had no intention of bathing; they had just strolled down to the beach for a walk and to be alone and near the water. (Chopin, ch. 7) Lounging at the bath-house on the beach with her friend, Madame Ratignolle, is when Edna realized realities about her marriage and children. Her life was now somewhat predetermined because of her own rash decision to marry Leonce out of rebellion against her father and sister Margaret. â€Å"Add to this the violent opposition of her father and her sister Margaret to her marriage with a Catholic, and we need seek no further for the motives which led her to accept Monsieur Pontellier for her husband. † (Chopin, ch. ) She desired passion as expressed in her daydreams prior to marriage, â€Å"It was when the face and figure of a great tragedian began to haunt her imaginati on and stir her senses. The persistence of the infatuation lent it an aspect of genuineness. The hopelessness of it colored it with the lofty tones of a great passion. † (Chopin, ch. 7) But she had no passion in her life. â€Å"As the devoted wife of a man who worshiped her, she felt she would take her place with a certain dignity in the world of reality, closing the portals forever behind her upon the realm of romance and dreams. † (Chopin, ch. 7) (http://office. icrosoft. com/en-us/images) Marriage did not bring fulfillment or satisfaction to Edna’s life, nor did being a mother. â€Å"She would sometimes gather them passionately to her heart; she would sometimes forget them. † (Chopin, ch. 7) When her children were away with their grandmother, they were not missed by their mother. â€Å"Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her. † (Chopin, ch. 7) What mother forgets her children and does not miss them when they are gone? Edna was searching for meaning in her life, she wanted happiness. (http://office. microsoft. com/en-us/images) (http://www. loyno. edu/~kchopin/Album10. html) Vacationing at the house on Grand Isle is where Edna’s dissatisfaction with her own life is brought to the reader’s attention by Chopin. â€Å"An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul’s summer day. It was strange and unfamiliar; it was a mood. † (Chopin, ch. ) Leonce’s role as a husband was unchanging, â€Å"†¦her husband’s kindness and a uniform devotion which had come to be tacit and self-understood. You read "Houses as Motif: Kate Chopins the Awakening" in category "Essay examples" † (Chopin, ch. 1) Spending her summer vacation with the Creoles opened Edna’s eyes to a whole new society. â€Å"A characteri stic which distinguished them and which impressed Mrs. Pontellier most forcibly was their entire absence of prudery. † (Chopin, ch. 4) Edna had been raised in a strict religious Presbyterian home by her father. (Chopin, ch. 22) Edna’s new acquaintances stirred new thoughts, there was an inner conflict within her. Unspoken expectations were present for societal norms to be followed for a devoted wife and mother, those like her new friend Adele Ratignolle. Edna longed to be her own person, depart from what is expected of her and discover what or who makes her happy. As more and more of Edna’s days were spent together with another new friend, Robert, she missed him when he was not around. â€Å"She missed him the days when some pretext served to take him away from her, just as one misses the sun on a cloudy day without having thought much about the sun when it was shining. † (Chopin, ch. 0) Mademoiselle Reisz impacted Edna, it started when she heard her play the piano at the grand party in the main house on Grand Isle. â€Å"Edna was what she herself called very fond of music. † (Chopin, ch. 9) As she heard the chords, she would envision in her mind what each piece of music was saying to her. But with Mademoiselle Reisz, it was different. Her emotional response was something she had never experienced. â€Å"The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column. † (Chopin, ch. 9) It was the exact emotion in which she was searching. But the very passions themselves were aroused within her soul, swaying it, lashing it, as the waves daily beat upon her splendid body. † (Chopin, ch. 9) It was that night Edna learned to swim; it was that night she did not do exactly what her husband asks of her. (Chopin, ch. 10) It was the house on Grand Isle that first awakened Edna to new thoughts and feelings. (http://www. loyno. edu/~kchopin/cheniere. htm) The next morning, Edna and Robert went to Cheniere Island. Edna’s behavior and attitude began to transform. She took steps of boldness by sending for Robert to go with her to Cheniere. She had never sent for him before. † (Chopin, ch. 12) On the boat ride to the island, Edna felt a sense of freedom, â€Å"†¦fel t as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening-†¦Ã¢â‚¬  (Chopin, ch. 12) She began to daydream of a life where she was alone with Robert. She shared this imagined world with him as her flirtation intensified. (Chopin, ch. 12) When they reached the island, they fulfilled the intended purpose of the trip by attending mass at Our Lady of Lourdes. The freedom Edna had experienced on the boat ride was stripped from her as she sat in the church. †¦her one thought was to quit the stifling atmosphere of the church and reach the open air. † (Chopin, ch. 13) It was at this time that Robert took Edna to a small house on the island where she naps and discovers another facet of herself. Once she awakens, she and Robert have dinner outside the small house, the evening approaches, they do not want the day to end. â€Å"It was very pleasant to stay there under the orange trees, while the sun dipped lower and lower. (C hopin, ch. 13) Upon their return from Cheniere Island, Edna separates herself so that she can be alone to ponder her escape. The escape to the little house that gave her a taste of peace and contentment. â€Å"She could only realize that she herself-her present self-was in some way different from the other self. † (Chopin, ch. 13) (http://office. microsoft. com/en-us/images) Upon return to the grand house on Esplanade Street in New Orleans, Edna brought with her disappointment and heartache. She had not planned on Robert’s sudden departure to Mexico. As her life was becoming more self absorbed, she wanted Robert to remain part of her life. She was aware of her infatuation with him and reacted emotionally to his absence. †¦she had lost that which she had held, that she had been denied that which her impassioned, newly awakened being demanded. † (Chopin, ch. 15) Being home in the grand house where Leonce displays his possessions with such pride, left Edna feeling trapped and imprisoned. Her summer experience changed how she wanted to live her life. When Leonce was ready for life to b e back just like it was before, Edna displayed behaviors of rebellion. She was not going to receive visitors on Tuesday afternoons any longer, she was not going to dress as expected for dinner, and she was not going to lead her life controlled by her husband. Chopin, ch. 17) bb (katechopin. org) Leonce was appalled at Edna’s sudden change in behavior. There were societal norms that were important to Leonce. He did not want their friends to think they did not behave properly. â€Å"†¦people don’t do such things; we’ve got to observe les convenances if we expect to get on and keep up with the procession. † (Chopin, ch. 17) The Esplanade house represents confinement and control over Edna. With her new found awakenings, she had no desire to return to the ways of her old life. â€Å"She resolved never to take another step backward. † (Chopin, ch. 7) Her thoughts remained with Robert. â€Å"She had tried to forget him, realizing the inutility of re membering. But the thought of him was like an obsession, ever pressing itself upon her. † (Chopin, ch. 13) (katechopin. org) Edna moved forward with confidence but still did not find the independence she was desiring. Leonce found her behavior â€Å"†¦odd, she’s not like herself. † (Chopin, ch. 22) â€Å"Her whole attitudetoward me and everybody and everything-has changed. † (Chopin, ch. 22) Leonce had concerns about his wife but left her alone upon the advice of Doctor Mandelet. He moved forward with his own (katechopin. rg) life and took a business trip to New York. Edna thought she might miss him , but found â€Å"†¦a radiant peace settled upon her when she at last found herself alone. † (Chopin, ch. 24) Her children were in Iberville with their grandmother. But this peace was short lived. She still did not have Robert. She looked to activities and relationships to find fulfillment in her life. But none provided the contentment and sati sfaction she desired. (Chopin, ch. 25) While Leonce was away, Edna made a spontaneous and rash decision , while on a visit with Mademoiselle Reisz, to move into her own house. (Chopin, ch. 6) The small house was located just around the corner from their home on Esplanade Street. â€Å"It looks so cozy, so inviting and restful†¦I’m tired looking after that big house. It never seemed like mine, anyway-like home. † (Chopin, ch. 26) It was this small house where Edna was certain she would find peace and happiness. She would find what this cozy house represents, â€Å"freedom and independence. † (Chopin, ch. 26) Each house Chopin uses as a motif brings to light different aspects of Edna’s personality as she searches for her inner soul. Each house brings new awakenings for Edna along the way. Each house represents her search for meaning in life. â€Å"No longer was she content to ‘feed upon opinion’ when her own soul had invited her. † (Chopin, ch. 32) But Edna was unable to satisfy her soul. She wanted more than anyone or anything could give her. She wanted passion, she wanted Robert. When Robert left for Mexico, it was out of his love and respect for Edna that he could not stay. When he left the small house, it was, again, out of his love and respect for Edna that he must leave. It was Adele Ratignolle who reminded Robert in the beginning of The Awakening (Chopin) of his behavior as a gentleman. If your attentions to any married women here were ever offered with any intention of being convincing, you would not be the gentleman we all know you to be, and you would be unfit to associate with the wives and daughters of the people who trust you. † (Chopin, ch. 1) Edna did not have the wisdom to understand Robert’s rejection of her. She lived selfishly. â€Å"Conditions would some way adjust themselves, she felt; but whatever came, she had resolved never again to belong to another than herself. † (Chopin, ch. 26) This statement confirms that Edna’s soul would not be found with Robert. She was aware of her own emptiness. There came over her the acute longing which always summoned into her spiritual vision the presence of the beloved one, overpowering her at once with a sense of unattainable. † (Chopin, ch. 30) (http://office. microsoft. com/en-us/images) The emptiness Edna experienced after Robert’s departure left her hopeless. â€Å"Despondency had come upon her there in the wakeful night, and had never lifted. There was no human being whom she wanted near her except Robert: and she even realized that the day would come when he, too, and the thought of him would melt out of her existence, leaving her alone. (Chopin, ch. 39) It was when Edna stood before the ocean that she knew her future. â⠂¬Å"The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude. † (Chopin, ch. 39) The only answer to free Edna’s soul was to enter the sea. Freedom would come only in death. There was no turning back to the empty life which only brought despair, heartache and loneliness. The true love, passion, and happiness she envisioned for her life had escaped her. Robert brought a glimpse of the future Edna had envisioned. But that future was not for Edna. In the ocean, naked and without any confinement around her , was she was able to find home. (http://office. microsoft. com/en-us/images) Citations: Chopin, Kate. The Awakening. 1899. www. amazon. com/Kindle-eReader-eBook Retrieved on January 14, 2011. http://www. katechopin. org http://office. microsoft. com/en-us/images http://www. loyno. edu/~kchopin/Album10. html Reflechir: Vol. 1. Les images des prairies tremblantes: 1840-1940 by Cheniere Hurricane Centennial Committee. How to cite Houses as Motif: Kate Chopins the Awakening, Essay examples

An essay on Thor and Thor the Dark World free essay sample

Thor (2011) and Thor the Dark World (2013) are both films of the Marvel Cinematic Universe, loosely based on the Marvel Comics which in turn were based on the Gods of Nord Mythology. The films depict the love-hate relationship between the brothers Thor, the God of Thunder, and Loki, the God of Mischief, and how their actions reflect on each other. In Thor, the first film of the series, which was directed by Kenneth Branagh, Thor, the protagonist, is about to be crowned kind of Asgard, when his brother Loki, in an act of jealousy and bitterness after finding out he is an adopted child, creates a plan that leads to Thor’s exile in Midgard, aka Earth, and becomes king in his place. In its sequel Thor: The Dark World, which was directed by Alan Taylor, Thor, long released from his exile and Loki, now locked up in Asgardian prison for his previous actions, including his attempt to take over the Earth in The Avengers (2012), have to unite forces to defeat a greater evil and face each other as they deal with their past and present sibling quarrels. Both films focus strongly on themes such as the growth of an identity as villain and hero, responsibility for your actions, the duality of good and evil within the same person and family bonds. Through the various conflicts that happen through the films it is noticeable that the characters define themselves in opposition to each other, as Tom Hiddleston, the actor who portrays Loki in both films, said himself: â€Å"there is no Thor without Loki and no Loki without Thor. † In the beginning of the first film, it is quite clear how both brothers were still naive, each in their own way, not realizing the power and consequences of their own actions to its full. Thor was a reckless, proud boy who would put his wishes and pride as a warrior before strategy and the safety of a kingdom and its people. He also would barely acknowledge his brother’s feelings. Loki, in his turn, was still on the shadow of his brother, hurt by not being the chosen one to the throne and yet not completely decided to do anything so as to fulfill his own wishes. It is through the first film that Thor matures and become truly aware of the people around him and of his responsibilities. It is also possible to notice how Loki gradually gathers confidence in his own actions, as at first he seems timid in telling lies and expressing his feelings, still wearing the mask of a good man before he accepts the turn of events and the whole of his grief towards his brother. While Loki does manipulate Thor to invade Jotunheim, realm of the Frost Giants, enemies of Asgard, he told a guard what Thor would attempt to do so Odin would stop them before they left Asgard and he would seem unworthy of the throne. However, no one was there to stop them. It was clear to see in Loki’s eyes that he was very fearful and thrilled as they faced the Giants, and it seems he was honest when he tried to make Thor give up the fight and go home. When Odin finally arrived, Thor’s vain actions in Jotunheim had unfolded too much for him to have a light punishment, and the very fact he would not abide by his father’s decisions proved him not to be ready for the throne. As a result, Odin exiled him and separated him from Mjolnir, Thor’s hammer, casting a spell in it that would only allow a worthy man to be able to lift it and possess the power of Thor. Even though it was not Loki’s intention, was it not for him Thor would not have gone through such a humbling experience as his exile was and would not have become truly worthy of his own powers. After accepting his condition as only a man he learnt to be grateful to the people who helped him and to apologize to Loki even though he didn’t know what exactly he could have done to make his brother act against him. Meanwhile, through the film Loki finally reveals his true feelings of bitterness towards his family in different scenes: towards his father when he realized he was adopted and accused him of only using him as a tool, and towards Thor when he tells him they’re not brothers and that he actually never wanted a throne, but to be his equal. Through that turn of events it’s quite clear how the siblings are intimately related to each other’s development and behavior, even if indirectly. In Thor: The Dark World, the character’s growth was evident right from the beginning. Even though Loki still justified his actions and talked as if he did not believe he ever did something wrong, he could no longer pretend to be innocent when people publicly threatened to kill him in case he betrayed Thor again, instead he could only laugh off and mock them for their rage. Thor, in turn, had become a much wiser man and was no longer willing to trust his brother, as he states: â€Å"You should know that when we fought each other in the past, I did so with a glimmer of hope that my brother was still in there somewhere. That hope no longer exists to protect you. You betray me, and I will kill you. † Now the characters are no longer struggling with their hate for each other, but with their love. After his every action, Loki finds himself without barely any possibility of redemption in front of his family and gathers even more reasons to feel bitter about them as the only person who cares to speak to him is Frigga, his mother. With such bitterness filling his heart, he claims again that Odin is not his father to her, causing her to question him with the logical assumption that if Odin is not his father, so she is not his mother either. Although it does reach Loki when Frigga says that, he had buried himself so deeply into that mindset that he was too proud to take back his words; instead he simply told her that she was not his mother even though he didn’t mean it. When Thor has to seek Loki’s help and clandestinely leave Asgard, it is the first time the audience sees the brothers acting as such, all the way from Loki trying to annoy his brother with silly jokes and mockery to them actually talking to each other honestly for the first time in years. Such moments led Thor to feel very clearly the difference between his relationship in the past and in the present, causing him to say â€Å"I wish I could trust you†. In spite of Loki’s forceful rejection of his family bonds with Thor and his parents, it was visible that after Thor turned around Loki seemed quite heartbroken by that statement. His only response was to quietly say â€Å"Trust my rage†, for they had the same wish of vengeance for their mother’s death and it seemed he could no longer regain his brother’s trust in himself. However, later when Thor was being defeated in battle, Loki came for his help and killed the monster, in turn getting stabbed in the chest and supposedly sacrificing himself in order to save his brother. Despite Thor’s hopelessness in Loki’s nature scenes before, with one great action his brother was completely redeemed in his eyes. It is agreeable that Loki’s action was indeed, very redeeming, but the way Thor accepted so easily that it was true, with pure intentions, is very clarifying about Thor’s feelings for his brother. He could only accept it so easily because deep inside that was the brother he wished to see in Loki. Throughout the films you can see the characters grow and change, they become both more mature and more aware of their own natures, and they also change the way in which they act towards other people. However, one thing does not change: the emotional bond they have. Even if they may decide they’re not worthy of their trust, they’re not capable of simply forgetting everything they mean to one another simply because they did each other wrong. Instead, in each film they find a different way of dealing with it, a different development in their relationship. The brothers Thor and Loki share a connection so deep and complex that is beyond what some would expect from a super hero film. In the franchise they may consider making a film with one of them alone, but it hasn’t happened so far because of their true co-dependency. Even when Thor was absolutely hopeless about his brother, Loki managed to surprise him and redeem himself in his brother’s eyes by supposedly dying for him. And even when Loki himself meant to completely deny his feelings for his brother, his emotional actions, even if rage-ridden, showed otherwise. Although quite simple, there is one sentence that sums it up, without which a description of their relationship would never be complete: â€Å"There is no Thor without Loki and no Loki without Thor. † Like yin-yang, they’re opposing forces that complete each other. Without one another they would not be who they are, Thor and Loki define themselves respectively as hero and villain in opposition to each other. Their dynamic is very interesting to see in films, for it doesn’t jeopardize the depth of family bonds and makes it very understandable that there is much more to a villain than his evil actions and much more to a hero than just strength. Before anything they’re people, and as people they should be understood before judged.